There may be better ways to vacation than living on a houseboat plying the waters of Lake Champlain beneath summer’s blue sky (“Slow Boat on a Big Lake”) but I can’t think of any. Well, maybe one: kicking back at a cabin in the Maine woods, a timeless retreat you return to year after year […]
By Mel Allen
Apr 17 2017
There may be better ways to vacation than living on a houseboat plying the waters of Lake Champlain beneath summer’s blue sky (“Slow Boat on a Big Lake”) but I can’t think of any. Well, maybe one: kicking back at a cabin in the Maine woods, a timeless retreat you return to year after year (“A Place to Get Away”). Or perhaps the open road is calling you to search out exciting things to see and do across our region; if so, our Best of New England guide has both old favorites and worthy newcomers to visit this summer.
I believe that a travel issue should bring readers respite from their everyday cares. Indeed, that’s a big reason why people leave home. But we do not live in a bubble. Since work began on this issue, months ago, the word travel has taken on a heavier weight. A word that once implied exploring, meeting new people, now is seemingly being used to assign us into slots: You over there, OK, come through; you, stay back. Anyone with knowledge of New England understands that we are all descendents of travelers brave enough, or desperate enough, to see what these mountains, forests, and harbors could offer. Hard work and fortitude and enough luck usually prevailed.
I once taught in the journalism program at the University of Massachusetts. The students were mostly seniors, and all they wanted was a chance to break in somewhere—to make their mark, ask the right questions, and find the stories that mattered. These were young people who cared about their world. I can’t imagine anyone calling their work “fake” without turning red with shame.
Every morning at my desk, starting north in Maine, then moving south and west, I read what New England reporters have covered in their backyard. I learn about the rural poor and the human cost of the opioid epidemic, about how towns grapple with alternative energy and how fishermen struggle with quotas. These reporters chase neither fame nor, surely, riches. And while there may exist unscrupulous journalists, they are always unearthed. The world of writing is a poor place in which to hide out—too many eyes.
As you travel this summer, remember that nearly every village, town, or city you visit will offer a daily or weekly paper that sheds light on its people and places. Most of these can be plucked for a dollar; The Boston Globe takes two. It’s worth it to get a better sense of where you are—and it’s the best way to honor the founders of this country in their demand for a free and open press. The New England revolutionaries who took on the tyranny of an English king in the spring of 1775 would thank you.
Mel Allen is the fifth editor of Yankee Magazine since its beginning in 1935. His first byline in Yankee appeared in 1977 and he joined the staff in 1979 as a senior editor. Eventually he became executive editor and in the summer of 2006 became editor. During his career he has edited and written for every section of the magazine, including home, food, and travel, while his pursuit of long form story telling has always been vital to his mission as well. He has raced a sled dog team, crawled into the dens of black bears, fished with the legendary Ted Williams, profiled astronaut Alan Shephard, and stood beneath a battleship before it was launched. He also once helped author Stephen King round up his pigs for market, but that story is for another day. Mel taught fourth grade in Maine for three years and believes that his education as a writer began when he had to hold the attention of 29 children through months of Maine winters. He learned you had to grab their attention and hold it. After 12 years teaching magazine writing at the University of Massachusetts-Amherst, he now teaches in the MFA creative nonfiction program at Bay Path University in Longmeadow, Massachusetts. Like all editors, his greatest joy is finding new talent and bringing their work to light.
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