Gardens

Frances Palmer’s Life with Flowers

Drawing equally from her garden and her studio, Connecticut ceramic artist Frances Palmer conjures up floral masterpieces.

Three vases with vibrant pink, purple, and red flowers against a bright pink background on a wooden surface.

Palmer’s wood-fired pitchers with tea dust glaze provide the anchor for a cascade of early bloomers: primroses, tulips, azaleas, and muscaris.

Photo Credit: Photographs by Frances Palmer. Excerpted from Life with Flowers by Frances Palmer (Artisan Books), copyright © 2025.

When the signature collections of New England’s great gardens come into bloom, abundance is what dazzles. Think of the 400 or so lilac plants at Boston’s Arnold Arboretum, or the 1,000-plus peony blossoms at Hildene in Vermont, or the more than 100,000 daffodils at Rhode Island’s Blithewold—showstopping displays, all of them, of the particular flowers that have helped make these places famous.

Yet at a very special private garden in Weston, Connecticut, the magic comes not from exactly what or how much is grown, but what it inspires: namely, lush images of flowers erupting from sculptural, handmade containers of every sort. This is nature’s artistry paired with the human variety, and it is the work of gardener, photographer, and renowned potter Frances Palmer.

A ceramic artist for nearly 40 years, Palmer has more recently added published author to the list of her descriptors. First came 2020’s Life in the Studio: Inspiration and Lessons on Creativity, a photo-filled walk down her own artist’s path, followed by last year’s Life with Flowers: Inspiration and Lessons from the Garden, which intersperses images of her floral and ceramic creations with personal essays, DIY projects, recipes, and more.

Given the luxuriant blooms that appear in Life with Flowers, one may well expect gardening advice, too, which Palmer helpfully provides. But speaking late last year from her studio, she said what she most wants aspiring gardeners to know is that perfection isn’t the goal. “I’d say, ‘Be prepared to make a lot of mistakes.’ I don’t even consider them mistakes, but more like trial and error,” she said. “Learning what works in your own space takes years, not a year, you know. Just be patient and learn from things that didn’t go so well.” —Jenn Johnson

Frances Palmer’s Life with Flowers

Connecticut ceramic artist Frances Palmer. Woman with short curly hair, glasses, and a white shirt stands smiling in a doorway, hand at her side.
Frances Palmer started learning photography as a means of documenting her pottery work; initially, incorporating flowers was a way to highlight the dimensions and shapes of her pieces. Over time, Palmer’s painterly images would help inspire two books, Life in the Studio and Life with Flowers, and draw more than 126,000 followers to her Instagram.
A ceramic vase holds a bouquet of purple and light blue grape hyacinths on a wooden surface.
Life with Flowers is divided by seasons of the year, but not the four famous ones. Instead, Palmer leads us through the poetically named stages prevernal, vernal, aestival, serotinal, autumnal, and hibernal. “I feel like the garden is a tapestry, with things weaving in and out of each other,” she says, “and these words have a little more nuance” than just spring, summer, fall, winter. Shown here: an ombré arrangement of muscaris (aka grape hyacinths) in a porcelain bisque footed vessel.
Photo Credit : Photographs by Frances Palmer. Excerpted from Life with Flowers by Frances Palmer (Artisan Books), copyright © 2025.
A bouquet of white daffodils and pink and white bleeding heart flowers against a black background.
Daffodils combine with dripping arcs of pink and white bleeding hearts.
Photo Credit : Photographs by Frances Palmer. Excerpted from Life with Flowers by Frances Palmer (Artisan Books), copyright © 2025.
White snowdrop flowers in a textured ceramic pot placed on a small wooden block against a light background.
Among the earliest heralds of the prevernal season, snowdrops can easily liven up a home during the last dark winter days not as cut flowers, but as rooted ones. Palmer dug up this clump from her garden to complement a blue celadon porcelain bowl whose textural bumps echo the flower shapes.
Photo Credit : Photographs by Frances Palmer. Excerpted from Life with Flowers by Frances Palmer (Artisan Books), copyright © 2025.
A white vase holds an arrangement of pink and purple flowers with green leaves, petals scattered below.
The second of Palmer’s seasons, vernal, sees the arrival of late-spring favorites such as foxgloves, bearded irises, peonies, salvias, roses, and dogwood flowers—arranged here in a pink and purple cascade and paired with a pale-blue celadon porcelain vase.
Photo Credit : Photographs by Frances Palmer. Excerpted from Life with Flowers by Frances Palmer (Artisan Books), copyright © 2025.
A blue and white vase holds an arrangement of colorful hellebore flowers on a wooden surface.
A cobalt-painted porcelain vase holds a fountain of fresh-cut hellebores, another early riser in the prevernal period.
Photo Credit : Photographs by Frances Palmer. Excerpted from Life with Flowers by Frances Palmer (Artisan Books), copyright © 2025.
Connecticut ceramic artist Frances Palmer. Assorted colorful tulips and flowers arranged on a light textured surface, viewed from above.
Throughout Life with Flowers, Palmer gives a nod to her many sources of inspiration: historical, literary, horticultural. Fine art, too, plays a big role, as she introduces readers to paintings by the likes of Cedric Morris (bearded irises) and Andrew Wyeth (potted geraniums). For the section on tulips, it’s no surprise that a classic Dutch still-life painting is showcased, but so are 20th-century photos by Lee Friedlander and André Kertész. For her part, Palmer contributes this image of cut tulips laid out on their own: a rich palette of color, waiting to be composed into a work of art.
Photo Credit : Photographs by Frances Palmer. Excerpted from Life with Flowers by Frances Palmer (Artisan Books), copyright © 2025.

This feature was originally published as “In Full Bloom” in the March/April 2026 issue of Yankee.

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