Once I believed that the holidays meant rituals of obligation: a Thanksgiving feast, and then with barely a breath in between, an almost obsessive need to bestow gifts. When my sons were young, I filled secret places with toys and gadgets, even making one final sweep on Christmas Eve for that “needed” stocking surprise. I […]
By Mel Allen
Nov 23 2015
Mel Allen
Photo Credit : Jarrod McCabeOnce I believed that the holidays meant rituals of obligation: a Thanksgiving feast, and then with barely a breath in between, an almost obsessive need to bestow gifts. When my sons were young, I filled secret places with toys and gadgets, even making one final sweep on Christmas Eve for that “needed” stocking surprise. I thought that that’s where the magic happened, with their eyes wide in the bedtime dark (you might even hear Santa’s sleigh gliding beneath the stars), then the quivering excitement at daybreak when they found the living room transformed by prettily wrapped presents. Presents that a few weeks later mostly waited askew in corners of the playroom, their shiny newness already worn off. On to other things.
Nigel Manley’s Christmas unfolds across hundreds of acres of balsam fir trees that he oversees at The Rocks Estate in Bethlehem, New Hampshire (“A Tree Grows in Bethlehem,”). He sees children bending low to harvest their special tree—the tree that soon will suffuse their home with the scent of a northern forest. Christmas arrives, too, in the sacred quiet of St. Joseph’s Abbey, in Spencer, Massachusetts, where Trappist monks live in contemplation, work, and worship ( “A Life That Is ‘Ordinary, Obscure, and Laborious,’”). While their famous jams have been joined now by their ales, their lives are still as distant from the box-store frenzy as if they existed on a separate earth.
This Yankee issue understands that the magic has always been about the gathering—and that the gathering happens around food. This is where we find the heart of the holidays, no matter which ones we celebrate, or when, as long as we’re with people we care about, passing around the platters. And it’s not about filling bellies—there are a lot of ways to do that—but about keeping our loved ones close. A student of mine in Bay Path University’s MFA writing program, Kathleen Bourque, wrote recently about a memory: “My kitchen will not rid itself of the stench of boiled cabbage. But if I listen closely, I can again hear the Clancy Brothers singing as we celebrate St. Patrick’s Day in my childhood home, while Dad carves the corned beef …”
Inside these pages—from a bourbon-brined turkey to apple pie to the best homemade foods in New England—the real story lies in the making of memories: the desserts cooling, the turkey browning, the table aglow with anticipation. Now with the shortening days, until it seems that daylight is merely an intermission, we turn inward, to hearth and home, for sustenance. You can’t ever overindulge at this table. Years from now that sliver of pie, the sharp scent of balsam, the bite of crisp turkey skin, the aroma of rolls hot and buttery, will mingle with the laughter of friends and family, and you’ll return to a time when the magic was never hidden, just always there.
Mel Allen is the fifth editor of Yankee Magazine since its beginning in 1935. His first byline in Yankee appeared in 1977 and he joined the staff in 1979 as a senior editor. Eventually he became executive editor and in the summer of 2006 became editor. During his career he has edited and written for every section of the magazine, including home, food, and travel, while his pursuit of long form story telling has always been vital to his mission as well. He has raced a sled dog team, crawled into the dens of black bears, fished with the legendary Ted Williams, profiled astronaut Alan Shephard, and stood beneath a battleship before it was launched. He also once helped author Stephen King round up his pigs for market, but that story is for another day. Mel taught fourth grade in Maine for three years and believes that his education as a writer began when he had to hold the attention of 29 children through months of Maine winters. He learned you had to grab their attention and hold it. After 12 years teaching magazine writing at the University of Massachusetts-Amherst, he now teaches in the MFA creative nonfiction program at Bay Path University in Longmeadow, Massachusetts. Like all editors, his greatest joy is finding new talent and bringing their work to light.
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