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The Strange Beauty of Linden Frederick’s Maine

In the 20th century, skillful, exacting imitation of appearances tended to fall from artistic grace as photography displaced painting as the medium of likeness. Henri Matisse, in helping to liberate painting from a mere description of reality, is famous for having said, “L’exactitude n’est pas la v

A round building with a pointed roof and a lit pinnacle stands under a cloudy sky transitioning from day to night. Darker buildings flank it, and power lines stretch across the horizon.

Linden Frederick, <em>Fonda Fair</em>, 2004, Oil on linen, 30 x 30 inches<br> Courtesy of Forum Gallery, New York

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In the 20th century, skillful, exacting imitation of appearances tended to fall from artistic grace as photography displaced painting as the medium of likeness. Henri Matisse, in helping to liberate painting from a mere description of reality, is famous for having said, “L’exactitude n’est pas la v

Edgar Allen Beem

Take a look at art in New England with Edgar Allen Beem. He’s been art critic for the Portland Independent, art critic and feature writer for Maine Times, and now is a freelance writer for Yankee, Down East, Boston Globe Magazine, The Forecaster, and Photo District News. He’s the author of Maine Art Now (1990) and Maine: The Spirit of America (2000).

More by Edgar Allen Beem

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