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Vincent Hartgen’s Maine Legacy

Vincent Andrew Hartgen: His Art and Legacy (Wildflower Lane Publishing, Twin Falls, Idaho, 2008. $55 softcover) is an affectionate and appreciative attempt by the artist’s sons David and Stephen along with Maine art critic Carl Little to document the life’s work of one of the icons of Maine art. Vincent Hartgen (1914-2002) was a fine […]

An intricate black and white abstract drawing featuring swirling, organic shapes and textures with a variety of lines and patterns.

Variations on a Birch Bark Theme, 1997, by Vincent Hartgen, UMMA, Bangor

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Vincent Andrew Hartgen: His Art and Legacy (Wildflower Lane Publishing, Twin Falls, Idaho, 2008. $55 softcover) is an affectionate and appreciative attempt by the artist’s sons David and Stephen along with Maine art critic Carl Little to document the life’s work of one of the icons of Maine art. Vincent Hartgen (1914-2002) was a fine watercolorist, a popular teacher at the University of Maine in Orono, and the founder of the University of Maine Museum of Art

In 2006, the Hartgen brothers published their mother’s memoir of the artistic life, A Maine Passage by Frances Caroline Hartgen, but this ambitious new family publishing venture is a 258-page survey and catalogue raisonn

Edgar Allen Beem

Take a look at art in New England with Edgar Allen Beem. He’s been art critic for the Portland Independent, art critic and feature writer for Maine Times, and now is a freelance writer for Yankee, Down East, Boston Globe Magazine, The Forecaster, and Photo District News. He’s the author of Maine Art Now (1990) and Maine: The Spirit of America (2000).

More by Edgar Allen Beem

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  1. Hi Ed, I enjoyed browsing the links you included in this article.
    There’s something about Maine that’s irresistible.
    Mary

  2. Mary, Maine is where New York goes in the summer. They come for the landscape and stay for the life style. Ed

  3. Nice to see this. Prof. Hartgen was my very first art history teacher, 8:00 a.m. fall semester in 1982. Going to his class was like going to church; I’ll never forget his enthusiasm. Many years later I understand why the Venus of Willendorf and Lascaux inspired him to get up on his toes! Thanks.

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