How To

How to Use a Digital Camera

Photography blogger Susan Cole Kelly shares her simple tips for using a digital camera. Our friends at Yankee have asked me to write a blog entry about how to use a digital camera. Initially, I was stumped — isn’t that like asking a chef to write a few words about how to use a stove? […]

By Susan Cole Kelly

Feb 23 2011

Architecture Photography
Photo Credit : Kelly, Susan Cole

Photography blogger Susan Cole Kelly shares her simple tips for using a digital camera.

Architecture Photography
How to Use a Digital Camera
Photo Credit : Kelly, Susan Cole
Our friends at Yankee have asked me to write a blog entry about how to use a digital camera. Initially, I was stumped — isn’t that like asking a chef to write a few words about how to use a stove? First, the subject is just so vast — there are many books devoted to understanding photography and cameras. Second, I have a niche that I know well — landscape photography and architecture lite — but not much interest in portraits, weddings, sports, astrophotography, or street shooting. In my cooking analogy, I have tried many kinds of cooking and baking, but now prefer to use mostly my microwave and grill. If you’re reading this, I assume you’re a newbie, so we’ll talk about compact cameras. Even the basic compacts have a stunning array of features and each brand has its own jargon. In addition, each model has a zillion control buttons/dials, and the manufacturers put the controls in different places. So I’ll be writing in broad generalities. First, we need to discuss how photography works. Automatic cameras are computers that produce good exposures in normal scenes: green trees, fall foliage, blue sky, brick buildings, and groups of people with varied clothing. You will need other settings if:
  • the tone of your subject is not average — snow or nighttime scenes
  • your subject is very near you — close-up flowers
  • your subject is moving fast across the screen — most toddlers
Photography is all about capturing the right amount of light on film or a sensor. The “right” amount is controlled by three things: aperture size, shutter speed, and ISO. It’s like filling a bucket with water from a hose. If you have a big hose (wide aperture), the bucket will fill quickly (fast shutter speed). A small hose will take more time. And the size of the bucket (ISO sensitivity) will also determine how long it takes to fill. These three settings are balanced to control the light, but each of them has side-effects that you should know about. Aperture is the opening that lets light in. It’s like the pupil of your eye — if it’s open wide, it lets in a lot of light; if the aperture is narrow, it lets in less light. The other function of aperture is depth-of-field. Depth-of-field is the distance between you and the horizon that is in sharp focus. If the aperture is wide-open, the depth-of-field will be small. You see this effect in food photography, where only the front of the sandwich is sharp but the chips on the back of the plate are blurry. Usually, landscape photography is shot with an extensive depth-of-field, while close-ups of birds are shot with a narrow depth-of-field. Shutter speed controls the length of time the shutter is open. With a still subject and a motionless camera (using a tripod), you won’t see much difference between a slow and fast shutter speed. But subjects move! If you’re taking a picture of a race car driving across your frame, a fast shutter speed will freeze the action sharply, and a slow shutter speed will make the car look blurred. Fast shutter speeds are usually chosen for sports, and slow shutter speeds are often used to make running water look silky. You can explore and practice the effects of changing shutter speed with the cars on your street. When you get good at capturing them, you could graduate to shooting Nascar or eagles in flight. ISO is the sensitivity of the sensor to light. In film days, ISO measured how much light-sensitive silver was in the film; now it’s just another setting. A high ISO makes the camera more sensitive to light, but also creates “noise” in the pictures. You’ll see this noise in the shadowed or dark areas of your picture — it looks like little multi-colored dots. To avoid noise, use a lower ISO setting. Automatic mode balances aperture, shutter speed, and ISO to provide a good exposure for average lighting in normal conditions. I use those adjectives intentionally: good, average, and normal. Automatic mode does not give excellent exposures for unusual light in problematic conditions. You can photograph a wide variety of subjects on automatic, and I use this mode a lot. S, A, and M settings are used by more experienced photographers who want more control of the camera.
  • S controls the shutter speed, and the camera will adjust the aperture to get a good exposure. Use this mode when you want to control the speed for situations like sports action, birds in flight, or running water.
  • A controls the aperture, and the camera will adjust the shutter speed. Use this mode when you want the whole scene to be in focus or when you want only a tiny bit of it to be sharp.
  • M lets you have full control of both aperture and shutter speed. You could use this mode for star trails.
Scene modes optimize the camera’s settings for various conditions. These settings are a great way to get good results without becoming Ansel Adams. All you have to do is to think about what the situation is and choose the appropriate scene mode. Here are some common examples:
  • Beach/Snow mode brightens the exposure so your winter shots won’t look gray (my favorite).
  • Flower mode gives a narrow zone of sharp focus on a very close subject, with a narrow depth-of-field for a blurry background. Use this setting for close-up shots including jewelry, bugs, food, and artistic renderings of your cat’s profile.
  • Landscape mode gives sharp focus on everything from foreground to background with a wide depth-of-field. Use it for brightly-lit landscapes or for darker scenes with a tripod to offset the slower shutter speed.
  • Here are some more scene modes that your camera may have: Indoor, Party, Sports, Portrait, Sunset, Starry sky, Fireworks, Aerial, HDR, Underwater, Panorama assist, Night portrait, Night scenery, Food, Candle light…The manufacturers have gotten really creative.
  • You can also create your own custom scene modes, for situations you encounter frequently.
You don’t have to memorize all this information. Just remember this: When you photograph, be aware of the situation and set the camera accordingly. Don’t always let your camera decide how to take the picture. Take control of your camera and practice, and your images will improve. Photography is like any other skill: the more you practice, the better you get. By now, if you’re still reading, your eyes have glazed over and your brain is saying, “This is as bad as reading the manual”. Yes, technical stuff is boring. But like any other technique, once you learn it you know it. Practice one technique at a time. Take your camera to the playground with your kids. Stop on the way home from work and shoot the sunset. Experiment with different settings. Make a portrait with the portrait setting, and then take the same picture with the landscape setting. Look at both carefully on the computer. Can you see any difference? The portrait setting should give you a pleasing portrait with a soft, non-distracting background. The landscape setting should give you a sharp person, with sharp blemishes, as well as a sharp background which might distract from the person. How does your person look with sunset mode? And here’s the important question: How do you like it? Once you understand the effects of the different settings, you can mix them up to produce some really cool stuff. On a cloudy day, shoot a lighthouse in Indoor mode. It will look blue! You can really have fun and develop a personal style by playing with the settings on your compact camera.

RESOURCES FOR USING YOUR CAMERA — Here are some ideas for further reading:

How to compose a good picture — All the technical gizmos in the universe won’t make a beautiful picture if you don’t understand composition, lighting, and timing. There are great courses online, but they’re not necessarily free. Here are some online photography courses. Note, I’m not endorsing everything, just jumpstarting your search.
  • — free topics including composition, lighting, contests, and fixing common problems. A good starting point to get basic concepts that you can expand upon later.
  • The New York Institute of Photography is one of many online photo schools. Take a look at NYIP as well as BetterPhoto and others. Even looking at their course outlines is instructive. But they are not free!
  • Maine Media Workshops is an accredited, on-site school near Camden, Maine which offers weeklong summertime workshops. The experience is immersive and can be transformative. I took their beginner course years ago and got hooked. Since then, I have taken several of their master classes, and have always found the experience to be worth the cost. Not only do you learn photography, but you also develop contacts and see how other people use it. This is my only endorsement.
How to use a digital camera — There’s plenty of free information about the technical aspects of photography.
  • Your camera’s user manual! After you know what you want to do, the manual should tell you how to do it.
  • —The On-line Library of Digital Photography
  • How Stuff Works — a technical view of digital photography
  • Digital Photography School — I love the article on how to choose a photography class.
How to buy a digital camera — Google this topic, as there are many approaches. Even if you already own a camera, it’s good information. And this year’s models have so many more functions than a 3-year-old camera that it might be time to upgrade anyway.
  • CNET advises to think first about how you’ll use your camera — good idea!
  • Crutchfield has a good description of megapixels, stabilization, and scene modes
  • PC World with video and a discussion of camera types and functions
The Top 8 Digital Camera Newbie Mistakes to Avoid — Not just for newbies!!! This article also has some great links to subjects such as cameras for dads and travel security. All photos © Susan Cole Kelly.

Susan Cole Kelly is a compulsive shutterbug based in Boston and downeast Maine. You can see more of her work at