When I was in public school in the early 1960s, art education was a redoubt of nonconformists. And that seemed to me a good thing. In a school system where everything was about the system – rank, class, grades, discipline, standards, dress codes – art class was about freedom and individuality. Our male art teacher […]
By Edgar Allen Beem
Jan 06 2010
Going Down for a Dust Bath by Maura McHugh
Photo courtesy Maine Art Educators Association
When I was in public school in the early 1960s, art education was a redoubt of nonconformists. And that seemed to me a good thing. In a school system where everything was about the system – rank, class, grades, discipline, standards, dress codes – art class was about freedom and individuality. Our male art teacher was obviously gay and our female art teacher was something of a bohemian, given to wildly colorful scarves and ostentatious hair ornaments. Their mere presence in the midst of so much buttoned-down conformity suggested to me that there was life outside and after high school.
Art educators these days, when “thinking outside the box” has become a clich
Take a look at art in New England with Edgar Allen Beem. He’s been art critic for the Portland Independent, art critic and feature writer for Maine Times, and now is a freelance writer for Yankee, Down East, Boston Globe Magazine, The Forecaster, and Photo District News. He’s the author of Maine Art Now (1990) and Maine: The Spirit of America (2000).
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