When the cold settles on Prudence Island in the middle of Rhode Island’s Narragansett Bay, the 150 year-round residents notice a special quality of light they call “winter blue” reflecting off the water. Photographer Ron Cowie found a place of self-sufficient people with deep roots, a place where he felt “time has a different sensibility.” […]
By Mel Allen
Jan 27 2016
Photographer Ron Cowie arrived for the first time on a late January morning just past 6:00 a.m. “I had just gotten off the ferry,” he remembers. “And it was so cold, so quiet. I didn’t want to photograph any clichés, and I know a lighthouse is a cliché, but the blue-green light was all here.” Prudence Island Light, known to islanders as Sandy Point Light, is the site of the island’s great tragedy. During the Hurricane of 1938, the lighthouse keeper’s cottage was swept into the sea, taking the lives of the keeper’s wife and son, a former keeper, and an island couple who had sought safety there.
Photo Credit : Ron CowieWhen the cold settles on Prudence Island in the middle of Rhode Island’s Narragansett Bay, the 150 year-round residents notice a special quality of light they call “winter blue” reflecting off the water. Photographer Ron Cowie found a place of self-sufficient people with deep roots, a place where he felt “time has a different sensibility.”
Last winter had already settled in hard, more bitter than most people could recall, when photographer Ron Cowie first stepped off the ferry onto the landing at Prudence Island. Though Cowie had lived only 40 miles away in Charlestown, Rhode Island, for a decade, the island, which is part of Portsmouth and sits smack in the heart of Narragansett Bay, remained one of those mysterious, all-but-hidden places that you mean to go see one day, maybe. That day for Cowie came on the last day of January, and the cold that ripped through his clothes gave him the gift of crystalline light when the sun rose over the bay. He returned three times, recording the way winter lay on the land, and its 150 year-round islanders.
“My first goal was to arrive with no impressions,” he said. “I wanted no preconceived ideas.” He came wanting to have what he called “a conversation with the island” through the lens of his camera. On foot and by car, he covered almost every inch of the landscape, roughly seven miles long and two miles wide, sometimes spending hours with no other people in sight, only flocks of seabirds or geese. On an island that even in the height of summer is known for its sense of solitude and quiet, the winter silence became his constant companion.
“It’s very peaceful,” Cowie said. “But it’s also very stark. A lot is untouched. I wanted to see how to turn what may seem to some like bleak isolation into a positive. What I found was that there is a collective knowledge, a rhythm they’ve built their life around; a sense of history that connects them. There was no sense of a ‘We’ve got to put Prudence Island on the map’ mentality. The people who’ve come before them, they seem to still be there. It’s a living work of art.”
One day Cowie met Joe Bains, who, like many islanders, has a split life, keeping a home on the mainland, keeping a home and his heart on the island, where his roots burrow deep. His grandparents first came in the late 19th century, when the island had a thriving summer colony. His parents met on Prudence and moved back there shortly after World War II. His father, like many, was a jack of all trades. He hauled trash, did carpentry, built and painted houses. Joe went to the one-room school, and soaked up the island’s history and lore.
“When I was a kid,” Bains said, describing in a few words the world-apart feel of Prudence Island, “you just had to be tall enough for your feet to hit the pedals and you could see over the steering wheel to drive, that’s all. I was 12 when I started driving, and my summer job from then on was driving my father’s trash truck.”
On an early March afternoon, Cowie put away his camera and boarded the last ferry back to Bristol. “That last hour before getting on the last ferry back, I had a sense of completion. I had wanted to have a conversation with the island, and I got that.” — Mel Allen
To see more of Ron Cowie’s work, go to:roncowiephoto.com
Mel Allen is the fifth editor of Yankee Magazine since its beginning in 1935. His first byline in Yankee appeared in 1977 and he joined the staff in 1979 as a senior editor. Eventually he became executive editor and in the summer of 2006 became editor. During his career he has edited and written for every section of the magazine, including home, food, and travel, while his pursuit of long form story telling has always been vital to his mission as well. He has raced a sled dog team, crawled into the dens of black bears, fished with the legendary Ted Williams, profiled astronaut Alan Shephard, and stood beneath a battleship before it was launched. He also once helped author Stephen King round up his pigs for market, but that story is for another day. Mel taught fourth grade in Maine for three years and believes that his education as a writer began when he had to hold the attention of 29 children through months of Maine winters. He learned you had to grab their attention and hold it. After 12 years teaching magazine writing at the University of Massachusetts-Amherst, he now teaches in the MFA creative nonfiction program at Bay Path University in Longmeadow, Massachusetts. Like all editors, his greatest joy is finding new talent and bringing their work to light.
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