New Hampshire

In the Shadow of Mount Washington | A Photographic Journey

  The artists came to Mount Washington and its valley first, in the middle of the 19th century, and their keen eye for beauty and detail brought others from the cities with the money and desire to feel what the artists did. Mount Washington, at its 6,288-foot elevation the highest mountain in the Northeast, rises […]

By Mel Allen

Aug 15 2013

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While driving U.S. Route 302, Richard Schultz spotted the Conway Scenic Railroad train en route to spectacular Crawford Notch.

Photo Credit : Richard Schultz
  The artists came to Mount Washington and its valley first, in the middle of the 19th century, and their keen eye for beauty and detail brought others from the cities with the money and desire to feel what the artists did. Mount Washington, at its 6,288-foot elevation the highest mountain in the Northeast, rises over a valley brimming with waterfalls, rivers, lakes, and thousands of acres of forest. When the early travelers breathed the summer air, they told others about this place, and soon the grandest hotels in the country spread across the valley like great ocean liners perched before the mountain. So much has evolved over the decades in the Mount Washington Valley. Hikers and climbers who thrive on endurance and strength and courage today wait in traffic beside a new kind of explorer: the outlet-mall bargain shopper, whose endeavor demands its own special endurance. But these things haven’t changed: a physical beauty unmatched in the East; a year-round populace stirred by the bracing winds that sweep off the mountains; people who bring a fierce love of their home and the outdoors. It’s no simple task to capture in photos a place with so many faces. Early last summer, photographer Richard Schultz and his assistant, Shef Reynolds, spent a week shouldering their cameras, following the advice they heard from locals: where to see sunrise; where to find the best local color in a valley where everyone, it seemed, had a story to tell. “The fun for me is the people I meet,” Schultz says. “It’s the exploration of a new area and the experiences I have. The people were so welcoming to being photographed. I consider this a gift. That they allow this access, not only to photograph them but to be comfortable, so that I can capture what happens naturally.” On the pages that follow, the personality of a distinct part of New England does indeed emerge, between the moments when Schultz’s camera clicked and strangers let him in to see.

Mel Allen

Mel Allen is the fifth editor of Yankee Magazine since its beginning in 1935. His first byline in Yankee appeared in 1977 and he joined the staff in 1979 as a senior editor. Eventually he became executive editor and in the summer of 2006 became editor. During his career he has edited and written for every section of the magazine, including home, food, and travel, while his pursuit of long form story telling has always been vital to his mission as well. He has raced a sled dog team, crawled into the dens of black bears, fished with the legendary Ted Williams, profiled astronaut Alan Shephard, and stood beneath a battleship before it was launched. He also once helped author Stephen King round up his pigs for market, but that story is for another day. Mel taught fourth grade in Maine for three years and believes that his education as a writer began when he had to hold the attention of 29 children through months of Maine winters. He learned you had to grab their attention and hold it. After 12 years teaching magazine writing at the University of Massachusetts-Amherst, he now teaches in the MFA creative nonfiction program at Bay Path University in Longmeadow, Massachusetts. Like all editors, his greatest joy is finding new talent and bringing their work to light.

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