Unable to get up-close onstage access at the legendary Newport Folk Festival, Schultz found his perfect shot just offshore from Fort Adams State Park, as boaters edged close to enjoy the music. “One of the best things about editorial photography,” Schultz says, “is when you run into a brick wall, you can find a way to go around it.”
Photo Credit : Richard Schultz
From his boyhood in Marblehead, Massachusetts, Richard Schultz knew two things: He would be a photographer, and he would live by the ocean. As a teenager, he began learning the intricacies of his chosen craft when he joined his cousin, famed Life photographer Bill Eppridge, on assignments around the country; after college, he apprenticed with the noted documentary photographer and Oscar-winning filmmaker Louie Psihoyos. Having made his name as a photojournalist for National Geographic and other magazines, including some memorable photo features for Yankee, Schultz is now considered one of the leading commercial advertising photographers in the country.
Along with his wife and their two kids, he moved 15 years ago from Boston to a small town on Rhode Island’s Narragansett Bay. “I worked all the time—I’ve always been away,” says Schultz, who’s been on assignment on every continent except Antarctica, compiling a client list that reads like a who’s who of worldwide brands. “I had never really gotten to know my new hometown. Once in a while we’d go to Providence or Newport for dinner, but where I knew best was Warwick—that’s where the airport is—I’d never really seen Rhode Island except for the highway on the drive down for shoots and meetings in New York.”
But last summer, as the pandemic continued to make international travel dicey, Yankee asked Schultz if he would take his camera around the 400 miles of Rhode Island coastline. His reaction? “Perfect—I finally have an excuse to explore this quirky state where I live.”
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Giving himself the challenge of “having the water somewhere in the frame” of every photo he took, Schultz sailed the bay on his 34-foot offshore cruiser, Bella, walked pathways and beaches, and once in Narragansett stumbled upon town lifeguards posing for a perfect group portrait. He crashed a seaside wedding or two, and found moments at resorts as well as on quiet coastal roads.
He faced a daunting season full of rains, but in the end, when he looked through his Rhode Island summer images he not only discovered a state he had not known but also realized “how much I missed just walking around and shooting pictures, just me and a camera, not surrounded by 50 crew and agency and clients.Just shooting what I found, like when I first picked up a camera.” —Mel Allen
To see more of Richard Schultz’s work, go to rschultz.com.
Mel Allen
Mel Allen is the fifth editor of Yankee Magazine since its beginning in 1935. His first byline in Yankee appeared in 1977 and he joined the staff in 1979 as a senior editor. Eventually he became executive editor and in the summer of 2006 became editor. During his career he has edited and written for every section of the magazine, including home, food, and travel, while his pursuit of long form story telling has always been vital to his mission as well. He has raced a sled dog team, crawled into the dens of black bears, fished with the legendary Ted Williams, profiled astronaut Alan Shephard, and stood beneath a battleship before it was launched. He also once helped author Stephen King round up his pigs for market, but that story is for another day. Mel taught fourth grade in Maine for three years and believes that his education as a writer began when he had to hold the attention of 29 children through months of Maine winters. He learned you had to grab their attention and hold it. After 12 years teaching magazine writing at the University of Massachusetts-Amherst, he now teaches in the MFA creative nonfiction program at Bay Path University in Longmeadow, Massachusetts. Like all editors, his greatest joy is finding new talent and bringing their work to light.