Magazine

Beyond Beauty | Our Land, Our Sea, Our Future

With his stunning portraits of New England’s wild places, Jerry Monkman creates both art and a call to action.

Monkman’s photography trips sometimes include his wife and their two children. Here, his teen-age daughter, Acadia—named for Monkman’s favorite national park—navigates the Knife Edge Trail on Mount Katahdin.

Credit: Jerry Monkman

Back in the fall of 1989, Jerry Monkman was a Midwest transplant living outside Boston with a freshly minted business degree and no desire to put it to use. Instead, the 24-year-old paid his rent by working retail at the Burlington Mall and used his off days to explore New Hampshire’s White Mountains and Maine’s Acadia National Park. With his future wife, Marcy, he’d camp and hike, capturing the landscape and the light with his Nikon SLR camera. 

But it wasn’t until he attended a book signing by Galen Rowell, a renowned mountaineer and outdoor photographer, that Monkman saw the chance to merge his passions for nature and photography into a career. “Here I was [at the mall], selling guidebooks and plastic dinosaurs,” says Monkman. “Instead of just looking at nature photos in the food court, I could get paid to take them.

“Galen wrote a lot about the right light and participating in the landscape—he thought his best images came when he was on expedition, when he was really immersed in his surroundings,” Monkman continues. “Marcy and I took that to heart, and would go out for days on end. It’s how I became a better photographer and got my best work.”

It’s still that way. Over the past quarter-century, Monkman has produced some of the most enduring photos of New England: The ice-blasted peak of Mount Washington. The soft springtime beauty of Connecticut marshlands. A fog-wrapped Katahdin ridgeline. But to call him just a nature photographer misses the point. His is a kind of advocacy work, one that goes far beyond trying to create pretty calendar photos. Nearly all his clients—the Appalachian Mountain Club, the Nature Conservancy, the Conservation Fund, and the Trust for Public Land, to name a few—are organizations whose mission includes protecting New England’s lands and waters.

Many of these groups’ achievements have been made with help from Monkman, whose work showcases the sometimes subtle, sometimes overwhelming beauty of places that often need to be seen in order to become conservation success stories. These include a 100-acre wood with a trout stream in Greenwich, Connecticut; retired logging land around Maine’s Katahdin Lake; and prime coastal property along New Hampshire’s Great Bay, outside Portsmouth—“That’s thousands of protected acres around one of the most productive estuaries on the East Coast,” he says. “To see all that progress is pretty cool.”

So is what it means for the public. “I want to inspire people to get outdoors and care about the outdoors,” says Monkman, who has published 10 books, a mix of outdoor guides and coffee table publications, many with his wife, Marcy. His newest, AMC’s Outdoor Adventures: Acadia National Park, was a 2017 recipient of the National Outdoor Book Award. “The more that people are out there, the more they’ll care about the natural world. They’ll think about the importance of these places and what they mean for all of us.” —Ian Aldrich

Sieur de Monts Spring area of Acadia National Park
This graceful stand of paper birches in the Sieur de Monts Spring area of Acadia National Park “shows a very different side of Acadia,” Monkman says. “It’s not all about granite and rock—the forests are also pretty.”
Credit: Jerry Monkman
 
Knife Edge Trail on Mount Katahdin
Monkman’s photography trips sometimes include his wife and their two children. Here, his teen-age daughter, Acadia—named for Monkman’s favorite national park—navigates the Knife Edge Trail on Mount Katahdin.
Credit: Jerry Monkman
 
Stewartstown, New Hampshire
Monkman’s powerful images of New England’s natural beauty—including this mist-shrouded scene in Stewartstown, New Hampshire—have been instrumental in conservation groups’ efforts to fight the proposed 192-mile power transmission line known as Northern Pass.
Credit: Jerry Monkman
 
Westfield River in Chesterfield, Massachusetts
“I rarely get inspired by the usual photo-op spots,” says Monkman, who captured this picture of the Westfield River in Chesterfield, Massachusetts. “I followed the river for an hour before I found this scene of rushing water and the mood I was looking for.”
Credit: Jerry Monkman
 
New Hampshire’s Great Bay
As conservation efforts around New Hampshire’s Great Bay began to heat up in the mid-1990s, Monkman was hired to photograph its lands and waters. Today the Lubberland Creek Preserve (pictured) and thousands of acres like it have been set aside for all to enjoy.
Credit: Jerry Monkman
 
Stonehouse Pond, Barrington, New Hampshire
A popular spot for hikers, anglers, and rock climbers, Stonehouse Pond and its surrounding 241 acres in Barrington, New Hampshire, came under the ownership of the Southeast Land Trust of New Hampshire about a decade ago.
Credit: Jerry Monkman
 
Eastern hemlock in Madbury, New Hampshire
This grove of Eastern hemlock in Madbury, New Hampshire, was once part of the farm of Revolutionary War hero John Demeritt, a 193-acre parcel that was acquired by the Society for the Protection of New Hampshire Forests in 2017.
Credit: Jerry Monkman
 
Casco Bay’s Lanes Island
A scene from Casco Bay’s Lanes Island, which was gifted to the Maine Coast Heritage Trust in 2013.
Credit: Jerry Monkman
 
Connecticut River watershed
As part of his work for the Trust for Public Land and the Nature Conservancy, Monkman spent years photographing the Connecticut River watershed, which included farmland like this cabbage field. “I wanted to tell the story of this river—to show its importance and why it’s worth protecting.”
Credit: Jerry Monkman

To see more of Jerry Monkman’s work, go to newengland.com/monkman or ecophotography.com.

Ian Aldrich

Ian Aldrich is the executive editor at Yankee, where he has worked for more for two decades. As the magazine’s staff feature writer, he writes stories that delve deep into issues facing communities throughout New England. In 2019 he received gold in the reporting category at the annual City-Regional Magazine conference for his story on New England’s opioid crisis. Ian’s work has been recognized by both the Best American Sports and Best American Travel Writing anthologies. He lives with his family in Dublin, New Hampshire.

More by Ian Aldrich

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